I got some practicing in today. Just a little.
Normally that wouldn't be worth mentioning. It is now because this was the first chance I've had to practice in over two weeks. Things have gotten rather busy at the day job.
I often refer to it as the "day job." I do this because it makes me feel more musicianly. You know, like I'm really a singer/songwriter/keyboardist, and my current employment is just something I do to pay the bills. But the truth is that my day job -- book designer at a small self-publishing company -- isn't the kind where you get in at 8, leave at 5, and don't give it a second thought until you arrive again the next morning. I actually enjoy it. And every now and again it demands that I devote more time to it than eight hours a day. A lot more.
It's earned my loyalty many times over. The hours are flexible. If I have a gig scheduled for 3 p.m. on a Wednesday, I simply e-mail the office saying I'm cutting out early because I have a gig. Back when Ron and I flew to Philadelphia to record our album, I had been at my job less than a year and hadn't accrued any vacation time; my boss let me work Saturdays to make up the five days off beforehand. Also, I regularly meander into the office around 10 or 10:30 a.m. OK, that has nothing to do with working around musical activities -- I just like to sleep late -- but I don't appreciate it any less for that.
So I'm working a lot now. And in the interim I've hardly touched my keyboard. And I haven't done anything at all to promote the band. Maybe I should consider these sacrifices as an investment. Eventually things will calm down and I'll once again be able to take advantage of the freedom this job gives me when it comes to gigs and such.
But I still feel like I'm shirking.
1 comment:
In her book Lost Souls Companion, Susan Brackney suggests that a day job can be viewed as a 'subsidy to the arts'.
I kind of like that notion. It doesn't trivialise the work you do to pay the bills but the emphasis is really on your art.
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